C$900
A thumb and forefinger lift a doll’s head into view, not quite gently, not quite firmly. Was it dropped? Displayed? Recovered? The ambiguity of the hand is central. It offers no explanation, only a moment of quiet, suspended inspection.
Part of the Held: Fragments of Self series, this work is less a portrait than a trace. Beginning with the fragment of a doll, each painting in the series explores what remains when girlhood becomes memory... incomplete, reconstructed, and often uneasy. Handler asks: When we hold what’s left, are we caring for it, or controlling it?
| Technique: | Watercolor on Archival Cellulose Paper |
| Styles: | Abstract, Expressionism, Conceptual, Surrealism |
| Contents: | Green, Face, Head, Person, Photography, Alien, Adult, Male, Man, Light, Accessories, Portrait, Abstract, Still Life |
| Edition: | Original, one of a kind artwork |
| Framed Size: | 18in x 18in |
| Unframed Size: | 12in x 12in |
| Frame: | Framed |
| Weight: | 8.8lbs (estimated) |
Milena Guberinic
Ridgeway, Ontario
My work is rooted in memory and lived experience. I build images that shift between presence and fragmentation, allowing instability to remain visible. Rather than fixing form, I let it emerge and adjust through process, guided more by perception and emotional atmosphere than by narrative clarity.
"I paint in the space between chaos and structure, where images are built, unsettled, and continually renegotiated."
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