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Sentinel

Sentinel

Richard Austin Chelsea, QC
36x24inunframed
Price

C$850

Shipping Cost
Free pickup is available from our Vancouver Gallery, or shipping can be provided for additional cost.
We also offer an installment payment program and art installation services: contact us for more details.
About the Artwork

A solitary tree rises from a rugged Canadian shoreline, its twisting branches reaching into a glowing orange sky. Set against a calm expanse of blue water and distant, faceted mountains, the tree is the emotional centre of my composition, suggesting resilience, endurance, and quiet strength.

The painting’s bold contour lines and flattened colour fields give the landscape a graphic, modernist quality.

My stylized approach recalls the spirit of early Canadian modernists while reinterpreting the landscape through a contemporary, minimalist lens.

This lone tree stands as both sentinel and survivor, embodying the emotional intensity and contemplative silence of our northern landscape.

Technique:Acrylic on Gallery Canvas
Details & Dimensions
Edition:Original, one of a kind artwork
Unframed Size:36in x 24in
Frame:Not framed
Weight:5.5lbs (estimated)
Shipping & Purchase
Free pickup is available from our Vancouver Gallery, or shipping can be provided for additional cost.
Standard shipping is via Canada Post ground. Typically, packages sent within Canada are received in 5-12 days. For expedited shipping, please contact us for a quote.
A payment program is available with three equal installments- we can work together to support artists and your budget! Contact us for details.

Richard Austin

Chelsea, Quebec

Richard Austin is a Canadian painter, independent filmmaker, photographer, and former art editor whose multidisciplinary artistic practice is rooted in decades of visual storytelling.

"My practice of creating contemporary, abstracted art based on the Canadian landscape involves vivid colours, flattened perspectives, and assertive contour lines, evoking spaces that feel both familiar and dreamlike, rather than depicting a specific geographic reality. I’m drawn to expansive vistas and ambiguous forms — scenes that stimulate intuition."

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