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Trees in the North

Trees in the North

Richard Austin Chelsea, QC
36x36inunframed
Price

C$1,500

Shipping Cost
Free pickup is available from our Vancouver Gallery, or shipping can be provided for additional cost.
We also offer an installment payment program and art installation services: contact us for more details.
About the Artwork

The oval composition sets this work apart. The acrylic paint on birchwood evokes a lens or portal — as if the viewer is looking through binoculars or a vintage viewfinder at a pristine wilderness. This shape also imparts intimacy, suggesting a meditative focus on nature’s forms. These trees have presence, they are not merely botanical forms but are animated.. Their sinuous forms suggest aging, weathering, and resilience — common themes I explore in Canadian landscape traditions. This work echoes the legacy of the Group of Seven, but where those artists emphasized grandeur and distance, I offer closeness and intimacy, even

Date:2023
Technique:Acrylic Paint on Birchwood
Styles:Abstract, Expressionism, Minimalism, Modern
Contents:, Landscape, Nature, Abstract
Details & Dimensions
Edition:Original, one of a kind artwork
Unframed Size:36in x 36in
Frame:Not framed
Weight:7.9lbs (estimated)
Shipping & Purchase
Free pickup is available from our Vancouver Gallery, or shipping can be provided for additional cost.
Standard shipping is via Canada Post ground. Typically, packages sent within Canada are received in 5-12 days. For expedited shipping, please contact us for a quote.
A payment program is available with three equal installments- we can work together to support artists and your budget! Contact us for details.

Richard Austin

Chelsea, Quebec

Richard Austin is a Canadian painter, independent filmmaker, photographer, and former art editor whose multidisciplinary artistic practice is rooted in decades of visual storytelling.

"My practice of creating contemporary, abstracted art based on the Canadian landscape involves vivid colours, flattened perspectives, and assertive contour lines, evoking spaces that feel both familiar and dreamlike, rather than depicting a specific geographic reality. I’m drawn to expansive vistas and ambiguous forms — scenes that stimulate intuition."

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