The painting abstracts and reimagines natural phenomena, pushing it toward the symbolic or psychological. The title Floating aptly reflects both the visual weightlessness of the forms and a potential emotional state—a liminal zone between groundedness and drifting, presence and detachment.

The composition moves vertically and diagonally, with layered, amoeba-like modules suggesting motion and organic flux. The alternating colour fields create a subtle illusion of depth and shifting perspective, pulling the viewer into a landscape of pure form and intuitive gesture.

There is a quiet dynamism here—an interplay between structure and randomness. The green tones evoke the serenity of mossy forest trails, while the red side suggest fall foliage, emotional intensity, or transformation.

This binary or duality introduces a narrative tension: a transition or threshold. The spaces in between—negative gaps of light—also play an important compositional role, forming their own rhythm that contributes to the painting’s breath-like expansion and contraction.