Not For Sale
York Minster (built from 1225 - 1472) and is renowned for the largest expanse of medieval glass in the world. While in York, my impression of the cathedral is of an enormous magnet drawing visitors to stand spellbound below its soaring limestone towers, its riot of intricately carved grotesques and statuary, and immense stained glass windows. I had almost finished the painting when Notre Dame burned this April and as parallels were drawn to York Minster. It was struck by lightening in 1984 and the ensuing fire burned the south transept. The same questions about rebuilding were raised at that time but the Minster was rebuilt in four years which lends confidence in the rebuilding of Notre Dame. The great west window or "Heart of Yorkshire" (1338) features a heart shape in its limestone tracery, seen here reflecting the sun. The cast iron fence and lamp post train the eye upwards providing a foreground and reference for perspective and scale. Dark clouds symbolize the Minster's tumultuous 850 year history of and fire while the warm late afternoon sun suggests hope and defiance, endurance and possibility.
Technique: | Watercolour on Watercolour Board |
Contents: | Architecture, Building, Spire, Steeple, Tower, Cathedral, Church, Lamp Post, Metropolis, City, Town, Urban |
Edition: | Original, one of a kind artwork |
Framed Size: | 40in x 25in |
Frame: | Framed |
Weight: | 18lbs (estimated) |
Jennifer Annesley, SFCA
Edmonton, Alberta
Jennifer is a realist painter and has enjoyed a full time art career since 1989. She has a BFA in Art and Design, and is an elected member of the FCA, CSPWC, and AWS. Her preferred mediums are watercolour and charcoal.
"The subject of my work is light, whether painting sweeping historic architecture, remote landscapes or intimate still lifes. My work is based on travelling to explore both urban and wilderness landscapes, experiencing, observing and then portraying how light changes our perception of these environments."