While this painting is hung at a fixed angle for the show, this 36-inch tondo of a dahlia is painted without a fixed top or bottom, allowing the viewer to turn the work in any direction. The circular form and shifting orientation invite a quiet reconsideration of what it means for something to be “right.” As the dahlia retains its beauty from every angle, it becomes a metaphor for people as well—each of us whole and valid without conforming to a single expected orientation. The piece encourages openness, reminding us that perspective is fluid and that acceptance grows when we let go of rigid definitions.