The process for this picture started with the application of many different types of textural materials-stencils, Japanese papers, metallic paints. After many layers had been applied the surface was painted with in an attempt to see what abstract shapes could be discovered . This figure became obvious as the procedure evolved from the mass of surface material. The end result is reminiscent of a fresco painting on a wall of an ancient ruin. The glazed surface gives the feeling of a figure trapped in time.
|Technique:||Acrylic, Mixed Media,Resin Glaze|
|Contents:||Medition, Resin, Texture, Metallic|
|Edition:||Original, one of a kind artwork|
|Unframed Size:||36in x 30in x 2in|
Carole Finn, SFCA
Victoria, British Columbia
Canadian painter of land, water and its inhabitants; Mediums of expression-acrylics, lithography and may other experimental techniques. Educator, mentor, curator. Educated OCADU, York U Fine Arts, HHSAD. Influenced by Impressionists - Bonnard, VanGogh; Contemporaries - Hockney, Kahn. Website shows paintings,prints, art classes Galleries and events as well as online store.
""My paintings, which are done in series, are an attempt to show beautiful locations whose natural integrity has either been altered by human intervention or is about to be. What is the cost of our imposition on the virginal status of these lands and the inhabitants therein?""