What I find interesting about painting figures is how many ways there are to convey feeling without facial connection. In EMOTIF I paint emotional reality through surrender to the background motif. How do our backgrounds intersect with our current emotional perspective?
|Oil on Canvas
|Original, one of a kind artwork
|26in x 22in
|24in x 20in
Vancouver, British Columbia
Bordering between expressionism and realism Copeman's work is also reflective of what is revealed in her dreams. Her work tends to be intuitive rather than conceptual.